Lyrics
MODERN FLORA LYRICS
If Spring Comes Like They Say
The retreat left a bad taste in my mouth, which was mostly blood.
I had to bribe Sarah’s locksmith brother to retrieve my phone.
Felled by the rain, the light, fragrant rain, I showed late again.
I had to plead for some extra credit just to save my C.
No surprise, my fatigue-induced conversion didn’t take.
Now I have second thoughts about selling the car.
But if spring comes like they say, I’ll reconcile with the super and brush up my Spanish.
If spring comes like they say.
I can’t hear you, Sarah, “These Foolish Things” are drifting with dryer exhaust from the basement unit.
It’s substandard here, Sar, cancel the U-Haul. It’s substandard here, Sar, rescind your resignation.
You keep me up at night, still, I need some Ambien.
And we’re both gettin’ old. Hell, I’m Precambrian.
Can we talk more about it later? Maybe we’ll understand it then.
Can we talk later?
It matters a lot, she said, it matters to me, and it matters to you,
but it doesn’t really matter at all, no, it doesn’t matter at all
Well, I guess mean everything, she said, how it matters to me, and it matters to you,
but it doesn’t really matter at all, and you have to keep both those things in mind.
And I think she was right about that—that night we rarely agreed—
But I think she was right how it matters a lot, but doesn’t really matter at all.
Importa mucho, pues, me importa a mi, y te importa a ti,
pero no importa nada, no importa nada.
If spring comes like they say
If spring comes like they say …
The Head of a Dog
There’s an anthill and a mountain peak
A waterfall, a faucet leak
More than one way to stop or start
There’s a crib sheet on the internet
A gumball dime in your mortgage debt
More than one way to fall apart
There’s a faux pas and a war crime
Homeric epics and nursery rhymes
There’s more than one way to break my heart
More than one way to keep from dyin’
I’ll be the head of a dog, you be the tail of a lion
You got your bank vault and your Master lock
Champagne and chicken stock
More than one way to stop or start
White kid gloves, a catcher’s mitt
Easy spares and seven-ten splits
More than one to fall apart
A gold Montblanc, a Bic ballpoint
A fine steak house, a burger joint
More than one way to break my heart
More than one way to keep from cryin’
I’ll be the head of a dog, you be the tail of a lion
I’ll play a cocktail lounge or a rodeo
A Steinway B, a Casio
There’s more than one way to stop or start
Yeah, we learned a few grooves and we wrote a few hooks
Know a few numbers like the Kelley Blue Book
There’s more than one way to fall apart
I can plié, I can Cabbage Patch
Set the town ablaze with a safety match
I’ll find a way to break my heart
There’s more than one way to keep from dyin’
I’ll be the head of a dog, you be the tail of a lion
The Unicellular Spore
You were the ocean I sailed on
The highway under my Dodge
The pine-needle trail that wrapped ’round the hillside
And led to your ancestral lodge
And you were the breeze through my window
The dust on the blades of my fan
The wren on the rail of my Grand Canyon snapshot
The shadow on my CT scan
And you were the tireless roofer
Pounding in shingles next door
The massive orange star that ruddled my bald spot
The unicellular spore
The unicellular spore
The unicellular spore
I was a snowflake on velvet
But I felt like Pete Townsend’s guitar
The day-breaking hiss of a flattened bike tire
The clang on that old trolley car
And I was the post-T-ball juicebox
Later, the whiskey and dope
I, the pragmatic documentarian
Green-lighting the postscript of hope
And I was the tireless roofer
Pounding in shingles next door
The massive orange star that melted your ice cream
The unicellular spore
The unicellular spore
The unicellular spore
All Thumbs
At that first party, you said, you were ignored half the night, a check-engine light.
But what’s missing from the metaphor is the world’s recklessness,
’cause you’re not dangerous like an engine is.
Once, I watched an engine burn my van to its frame.
If not for John, I wouldn’t’ve had a coat that weekend.
And you’d’ve done that, too, gone in for the coat while I hugged my knees in the
ditch outside o’ Lincoln.
The tow-truck driver said, the toe-truck driver said, “Which one of you clowns owns this barbecue pit?”
And I hope it’s not too soon to say this, but I loved you yesterday
In your daffodil sweater.
Coming to the theater five minutes late
Can’t sit through a double feature, but I love a two-movie night.
Later on, lusting together after Monty Clift, all right.
Montgomery Clift in his cowboy suit, shooting at cans.
Montgomery Clift in his cowboy suit, shooting at cans, yeah!
You’ve switched up my flow.
Like a thumb over a hose, like a thumb over a hose, like a thumb over a hose.
Like the DJ cross-fading to Turntable B. See the semi-adolescent “B” magic-markered on a jagged square of masking tape?
It’s funny, you said, how our script changes even well into adulthood.
Once I watched an engine burn my van to its frame.
But I told you that. I remember now, I told you that. I told you that. But I told you that.
Now I’m talking in circles like the white spirals on the balls of your feet.
And I like how you move through the world, as if on the balls of your feet.
Not photographing misspelled shop-window signs.
Not cursing the Jeep that almost mowed you down.
Not raising your fist from the mountaintop.
Till your arm falls right off your shoulder blade.
Till your arm falls right off, right off, your shoulder blade.
You switched up my flow, that’s the main thing, how you switched up my flow
Like a thumb over a hose, like a thumb over a hose, a thumb over a hose.
I don’t wanna crowd you, but now we’ve reached our three-month anniversary, I’m starting to use my normal speaking voice more often when we’re together. Have you detected this change?
AIRPORT SPARROWS LYRICS
Instead of This
Instead of this, you could be sitting S-shaped in a study carrel, looking through old Sandusky phone books for villainous names. Or fishing off the riverbank, not for sport, or lying face down in a culvert, your khaki shirt stuck to your back by still-damp blood.
So, it’s not so bad.
Am I wearing my sunglasses?
Okay, I had a few other questions.
Can you hover like a kingfisher? Can you hover like a kingfisher?
Can you hover like a kingfisher, then perch on a reed, gulping, while I adjust my aperture?
Can you laugh more heartily at my jokes? Can you strive to make your laughter infectious?
Can you get me outta this place?
Can you collate my fragments?
Can you draw clouds on my Trapper Keeper with a gold glitter Sharpie?
When you cosign the lease, will you use the Black Sabbath font?
Will you relieve me of my duties? Will you relieve me of my duties?
Can you hover like a kingfisher?
Can you hover like a kingfisher like I said before?
Can you hover like a kingfisher?
Can you hover like a kingfisher like I said before?
Instead of this, you could be fishing off the riverbank, with makeshift bait. So, it’s not so bad.
Can you call me? Can you call me back? Can you call me?
At this number or at my ma’s house
Can you call me?
Call me back.
The Weather on Your Side
I used to be the older brother
And I abused the upper hand
I made you keep my secrets
Dished out more than you could stand
But I tried, you know I tried
To atone for all my sins
Anyway, you oughta thank me, you really oughta thank me
Probably thickened up your skin
You beat the rain, you had the weather on your side
You got the moon to pull some strings about the tide
You floated all the way from heaven back home
All the way from heaven back home
You shrink from my resentment
And from my faith and poverty
You know, our father would’ve hated
That condescending eulogy
All right, I tried, I’ll shut up
I’ll let you circulate
Y’always had what the world wanted
Me, what the town would tolerate
You beat the rain, you had the weather on your side
You got the moon to pull some strings about the tide
You floated all the way from heaven back home
All the way from heaven back home
You beat the rain, you had the weather on your side
You got the moon to pull some strings about the tide
You floated all the way from heaven back home
All the way from heaven back home
I Ain’t Forgotten You
I don’t recall the origins of all these scrapes and dents
And at present I can’t name the Secretary of Defense
Nor all my grade-school teachers, though some faces come to mind
And everything they taught us, I left half of that behind
I rarely call on birthdays, no one expects me to
But I’d love to ring next Wednesday, I ain’t forgotten you
Now, last year’s Oscar winner is slow to leave my tongue
And I’ve retained only the rudiments from The Portable Carl Jung
I even forget how old I am, I know it starts with five
Sometimes, they say, I hurt myself just to feel alive
In sickness and in health, I don’t reliably come through
But I’ll be waiting at the ER, I ain’t forgotten you
I remember you with snowflakes on your eyelashes
Teardrops mingling with your wine
I remember loaning you five thousand dollars
But I said I wouldn’t bring it up this time
When I swam the River Lethe, I forgot to bring a towel
When I spell the word liaison, I often drop a vowel
I once forget my manners at a Bloomington blood bank
And when they ask me for my password, I tend to draw a blank
Ah, but unlike Bernie Taupin, I distinguish green from blue
Anyway, your eyes are hazel, I ain’t forgotten you
I still remember Fonzie and Schwinn banana seats
And the photographs from Jonestown, how I couldn’t get to sleep
And that trip to Devil’s Tower, where we both sensed the sublime
And the smell of the cellophane on Sign o’ the Times
Well, tonight I played that record, when we bought it, it was new
And you were there in every pop and click, I ain’t forgotten you
Yeah, tonight I played that record, when we bought it, it was new
And you were there in every pop and click, I ain’t forgotten you
Carson City
All of us are living in Carson City
And all of us will die in or from Carson City
Most of us have done more to aggravate, than mitigate
Problems stemming from Carson City, yeah
Hell yeah, Carson City
Did’ja get that shirt there?
I’ll bet you paid a bundle
The sleeves are too short, but I like it like that
Boyish, I’d say, not simian
All of us are living in Carson City
And all of will die in or from Carson City
Sure, it’s hard to picture some collective act, some binding pact
Equal to the force of Carson City
Stay Strong, Carson City
I was born there, you know. That hardly makes me expert
On Carson City, or anything
So when I say, An apt degree of self-sacrifice, if narrowly shared, just might feel like insanity
You could say, What do you know of self-sacrifice?
And repeat for emphasis, What do you know of sacrifice?
All you really know is sighing inertia, temporizing greed, Ativan and weed
All of us are living in Carson City
And all of use will die in or from Carson City
Everything we try should be compassionate, not trivial
Salves and solutions re: the sins of Carson City
Hell yeah, Carson City
Last night I spent a month in Carson City
Last night I spent a month in Carson City
Last night I spent a month in Carson City
Last night I spent a month in Carson City …
I’m Not What I Was
I can eat my Lorna Doones on chilly Monday afternoons
But I’m still hungry in my dream
Bisect my Oreos while the gnats hover and the streetlamp glows
But I can’t even taste the cream
There go the sirens
Here comes the fuzz
You save yourself, my friend
I’m not what I was
I’m not what I was
I can shave my face, put on perfume, raise a glass in a rented room
But there’s a bloodstain on the collar of my shirt
Post my shot to Instagram with the barbecue grill and the whole fam
But I’ll still be lonely come dessert
There go the sirens
Here comes the fuzz
You save yourself, my friend
I’m not what I was
I got up too early, I’m on Mountain Time, plus I’m in a mood and I’m in decline
I hear last night in your voice
Recoil at leisure, repent in haste, I fear your faith has been misplaced
Can I help you make an informed choice?
There go the sirens
Here comes the fuzz
You save yourself, my friend
I’m not what I was
I’m not what I was
Happiness
Well, I cried over some broken bones, and I cried ’cause I was sad
I cried at old Fassbinder and a Maxwell House ad
You know I cried for Patches with pa on his death bed
And in Psych class I cried for Phineas Gage with a rail spike in his head
Play “The Last Time I Saw Richard,” once again you’ll see my crying
It’s the coffee percolator that gets me every time
I don’t cry at dog films, some kind of lachrymal gap
But I cry sometimes remembering our baby in your lap
Now it might be my party, but I ain’t Lesley Gore
Still, it seems with every birthday, I cry a little more
I have cried for the worst reasons, and I’ve cried for the best
Someday I’m gonna cry again out of happiness
I can cut myself off like a conservationist
Then I cry for the catharsis I so foolishly missed
Even when it’s private, it’s like I’m on the job
And I just can’t seem to break out in full-blown sob
Now, sometimes I cry so subtle that it’s hard to detect
Other times I gotta push it, you know, to get the right effect
Self-penned wedding vows, I cry without fail
And I cry over the crowd at a going-out-of-business sale
Now it might be my party, but I ain’t Lesley Gore
Still, it seems with every birthday, I cry a little more
I have cried for the worst reasons, and I’ve cried for the best
Someday I’m gonna cry again out of happiness
Someday I’m gonna cry again out of happiness
Random File
If you’d only wait awhile, I could be the one
Be that one you need
Just open my random file, I might be that one
Ghost Blog
To repeat, it’s all on my ghost blog
Maybe that’s not quite the phrase
I’m all alone here
There’s some talk of you on my ghost blog
Our misremembered love
A sandpaper glove
Smoothing out the rough parts in our dreams
Our heels clicking past the Seine
Like two retractable pens
Our coats comin’ apart at the seams
I guess I still pay for my ghost blog
Maybe I should let it slide
I’m all alone here
Never read the comments on my ghost blog
It’s all misremembered love
A sandpaper glove
Smoothing out the rough parts in our dreams
Our heels clicking past the Seine
Like two retractable pens
Our coats comin’ apart at the seams
Our misremembered love
A sandpaper glove
Smoothing out the clichés in our dreams
Our heels clicking past the Seine
Like two retractable pens
Our coats comin’ apart at the seams
The Flanks
Look how I grip the bullhorn
Atop the brown Renault
There’s my fedora on the Pettis Bridge
Sixth or seventh row
Fearless on the front lines, humble on the flanks
I put spanners ’tween the clock-gears, roses in the tanks
Yeah, but it wasn’t all purity
I made a little green
I wrote “Friends in Low Places” in a Grand Forks Hardee’s
Before I turned seventeen
Became a backstage panjandrum of the heartland mainstream
Bought my mother a small island and a Triple-A baseball team
Now, I can’t live in the moment
And I don’t like the future’s forecast
So I walk around this milfoil lake
Dreaming my heroic past
In truth I’s missing from the front lines, feckless on the flank
Chained to my tiny orbit like a ballpoint pen at the bank
I’m not asking for absolution, and I don’t deserve your thanks
Just use me on the front lines, or place me on the flanks
Reduce Me to Ashes
Reduce me to ashes with a cold-hearted glance
Spur on your steed, sharpen your lance
See that my grave is unmarked and unkempt
Remind my survivors of your boundless contempt
Don’t trust in fate, leave nothing to chance
Reduce me to ashes with a cold-hearted glance
Reduce me to ashes like an old vengeful god
Spread me around, lay down the sod
I’m the romantic incense you burned alone Sunday night
I’m a scrap of the Sports page, I’m a bummed Camel Light
Send home the hangman, call off the firing squad
Just reduce me to ashes like an old vengeful god
Someone sleeping in the backseat, it might be a child
The driver laughs, but not with a smile
Reduce me to ashes before you decamp
Clap me off like a TV bedside lamp
I’ve skimmed the report, the end might be near
It’s been a nice ride, ah, but I’ll get off here
Don’t trouble to issue no commemorative stamp
Just reduce me to ashes before your decamp
Turn off the iron, hey, turn up my amp
Reduce me to ashes, reduce me to ashes, reduce me to ashes
Before you decamp
Airport Sparrows
[Bird language]
Don’t Ask for the Moon
Those salad days
When you believed
You were on the rise
There were some nights
Cheap Chardonnay nights
We romanticize
Hey, don’t ask for the moon, now
We still got all these stars in our eyes
A dime for your thoughts
I’ll overpay
I’m growing unwise
Tell me the truth
But don’t be afraid
To euphemize
And don’t ask for the moon, now
We still got all these stars in our eyes
The world was our oyster, but all those pearls
were the wrong shape and size
So at this late juncture, in lieu of a plan
May I ask you to improvise?
If you return
Defrocked and disgraced
And fear your demise
I’ll be your blue angel
Watch from the wings
I’ll idolize
Hey, don’t ask for the moon, now
We still got all those stars in our eyes
Hey, don’t ask for the moon, babe
We still got all these stars in our eyes